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[crackling noise]

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ARTIST: The point of departure
for my exhibition "Errorism" are systemic errors.

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[crackling noise]

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Errors in thinking,
errors in collective intelligence

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errors in decision making.

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And the approach of the neoliberal order
towards these errors and their prediction.

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[crackling noise]

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I'm at the same time interested in errors

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as something creative.
As beginning of a new form.

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Without errors...

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without errors and replication
of genes, there would be not evolution.

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There would be no change.

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[quiet mesmerizing music]

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We tend to say "errare humanum est".

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Erroring is human.

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What does it mean to eliminate errors

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with the use of algorithms?

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Are we still going to be human?

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Are we still going to be able to

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produce the same
creative outputs as we do today?

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We don't know that.

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[subtly rumbling noises]

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CURATOR: Errorism
is a solo show of Agnieszka Kurant

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but in the same time this exibition
constantly questions and undermines

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the very idea of what it means to um...

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speak about individual autorship?

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And what does "the individual" mean

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in the context
of the collective society?

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[quiet mesmerizing music]

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ARTIST: The work
"Errorism" is an installation

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of which I am not the author.

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The authorship of this piece could be
attributed both to artificial intelligence algorithms,

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and to the entire population of people
contributing to the corpus of the english language.

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The way that this piece was created was
the plugment of the artificial intelligence algorithms

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that analysed very large
amounts of texts of a given author.

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And on the basis of this
analysis and pattern recognition

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through machine
learning, they produce new texts

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that are in the same style
and addressing similar content

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as the entire corpus of
a given authors writings.

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I use this algorithms to produce
descriptions of my non existing but possible artworks.

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In a similar way that recently
artificial intelligence algorithms  were used to

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generate a non existent Rembrandt painting.

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I used these algorithms to generate
descriptions of works that i could potentially make.

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[subtly rumbling noises]

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[crackling noise]

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After obtaining these new descriptions

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I created visualisations of these new
potential works in a form of a hologram.

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[crackling noises]

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CURATOR: This exhibition
happening in Łódź has also another layers

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because the history of Łódź
and the history of avant garde in Łódź

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is of course inherently linked
to the history of the capitalist production.

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And in the works of Agnieszka

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one can observe how,
what was called the industrial capitalism

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is transformed into
totally new systems of labour

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that are not anymore linked to
particular place or particular kind of work

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but it's all about the dispersed
community of the old line working class.

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[quiet mesmerizing music]

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ARTIST: Many of the works
are related to the fact that today

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the entire society becomes one gigantic
factory of data production and exploitation.

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Part of this factory is new
emerging digital working class

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which is response to automation
and to the fact that many factories are closing

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and workers that are laid off
are looking for new ways of working.

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The new working class
of the so called ghost workers

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are digital workers, working
in front of their computer screens online.

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They are the workers of Amazon
Mechanical Turk crowdsourcing platform

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and other labour platforms.

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This workers are underpaid and this
workers were very often exploited off.

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And in two of my projects that are part of Errorism

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I worked with this new working class

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by crowdsourcing simple tasks
such as drawing lines or submitting selfies.

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And what is important for this projects is that

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they allowed me to redistribute
capital from the sales of this works.

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Whenever any of these works is sold in the art market

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the workers sharing
the profits by a bonus system of Amazon.

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CURATOR: Agnieszka is constantly
investigating issues of collectives

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of collective intelligence and collective labour.

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And the works which you can see at the exhibition

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are devoted to the collective work of internet users,

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the users of platforms such as
Reddit or to the termite colonies as well.

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[quiet mesmerizing music, crackling noises]

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subtitles: Kinga Andrzejewska